Three years ago The Decemberists released What a Terrible World, What a Beautiful World, the band’s seventh full-length album which, like most releases from Portland’s premier prog-folk outfit, is clever and catchy and thoughtful. Stylistically, What a Terrible World hews closely to The Decemberists’ well-established folksy style but the album is no worse for being something of a retread (in fact, the haunting ‘Lake Song’ may be the single greatest installment in the band’s extensive archive).
Despite its simple construction, the most interesting song on What a Terrible World is undoubtedly ’12/17/12′ in which lyricist Colin Meloy reflects on, among other things, the Sandy Hook Elementary School shooting that claimed the lives of 20 children and six adults.
Through his laconic lyrics, Meloy tries to reconcile the joy that he feels from the impending arrival of his second child with the immense grief that empathy for the Sandy Hook victims and their families demands. In confronting the inherent complexity and duality of simultaneously experiencing both intense joy and utter anguish Meloy poignantly states,
“Oh my God, what a world you have made here. What a terrible world, what a beautiful world.”