When discussing Halloway, the late-2016 EP from Tessa Violet, the natural inclination is to focus on the album’s jaunty electropop feel. While it’s true that ‘Dream’ moves along on the back of a bouncing hook and that ‘Not Over You’ sounds like the musical lovechild of Tillian and Carly Rae Jepsen, these salient points do […]Read more "Tessa Violet – Halloway"
I. There was a time when Third Eye Blind’s self-titled debut was the only album I listened to for an entire calendar year. Literally. That seems like an exaggeration, an overreach of the figurative use of “literally.” It’s not. I was ten during the summer of 1997, when ‘Semi-Charmed Life’ took over every radio station […]Read more "This Is Ours Now"
I didn’t plan on playing Final Fantasy XV. In truth, I didn’t even want to play it, having ostensibly abandoned the series after the incomprehensible slog that was Final Fantasy XIII. Still, I couldn’t help but read the reviews that started flooding out around Final Fantasy XV‘s late November release and, much to my surprise, the […]Read more "At the Beginning: A Review of Final Fantasy XV"
This post was originally included in a group discussion at Type In Stereo. 5. Letters to Lost Loves by Tyson Motsenbocker. There were a handful of albums contending for this final spot, from PUP’s rambunctious The Dream Is Over to Panic! At the Disco’s surprisingly enjoyable Death of A Bachelor but I’m going to go with a more subdued choice in Letters to […]Read more "The Best Albums of 2016"
I am nothing if not a (wayward, powerless) arbiter of pop music. Over the years I have advocated for indie darlings, universally acclaimed megastars and criminally underrated savants. And now I’ve got a new addiction: ‘Your Girl’ by Violet Days. I don’t want to get too technical here but, guys, that song is awesome. It’s got smooth hooks! It’s got […]Read more "Violet Days – Your Girl"
Goddamn if this album isn’t beautiful. From the moment it begins, with three twinkling strikes of a xylophone, Owel’s dear me is a gorgeous, sweeping ode to the power of beauty in music. Each song across the album’s 66-minute runtime brims with tenderness and passion; when, for instance, vocalist Jay Sakong sings the titular syllables […]Read more "Owel – dear me"
There’s an old Jerry Seinfeld bit about the hazards of choosing a cold medicine. “This one’s quick acting, but this one’s long lasting,” he notes. “When do I need to feel good, now or later?” Weirdly, this is not so different from some of the listening choices that we make. Some albums use shortcuts to […]Read more "Artifex Pereo – Passengers"
Two of my best friends are brothers; one is a comic artist and the other a musician. We used to play in a band together. Bands, actually. The most successful was probably our high school band, a pop-punk/screamo outfit that consistently covered both Finch’s ‘Letters to You’ and the Limp Bizkit version of George Michael’s […]Read more "Parallel Lives"
For a few years I was lucky enough to work as a staff writer at Type In Stereo where I got to voice all my strange and needlessly in-depth opinions about music. It was a great time. So I’m happy to announce that some of my fellow writers from Type In Stereo are dusting off their […]Read more "The Best Albums of 2015"
Then Abram bound the youth with belts and straps, and builded parapets and trenches there, And stretchèd forth the knife to slay his son. Wilfred Owen, ‘The Parable of the Old Man and the Young’ It Will Kill You Private Donalson sat in the deep mud, his legs pulled up to his chest, his hands […]Read more "1917"